Works

FILM 영화/실험영화

  • 안과 밖 In & Out(2010) 25분, 흑백, 감독 장은주, 음악 신성아
  • spring_flowing No.2 (실험영상/음악, 2009) ca. 8 min for 실험영상 장은주, 음악 신성아
  • 어떤 개인날 One Fine Day (2009) 100분, 장편영화, 감독, 이숙경, 음악 신성아 for 장편영화(2009 제59회 베를린국제영화제 NETPAC아시아영화진흥기구상; 2009년 여성영화제 뉴커런츠초청)
  • The Thin Black Line (실험영상/음악, 2007) ca. 10 min for 실험영상 장은주, 음악 신성아
  • spring_flowing No.1 (실험영상/음악, 2007) ca. 8 min for 실험영상 장은주, 음악 신성아
  • distance_presence (2003) ca. 3 min for music video

THEATER/DANCE 무용/연극

  • Elizabeth Rex 영국왕, 엘리자베스, 티머시 핀들리 작, 오경숙 연숙, 작곡/사운드 디자인 신성아(2011)
  • micro 524 No.2 for solo dance, 6분 30초, 안무/무용 이윤정, 음악/신성아(2011)
  • micro 524 No.1 for solo dance, 9분 30초, 안무/무용 이윤정, 음악/신성아(2011)
  • 흰소가 끄는 수레/ 박범신 원작, 흑표범 연출/퍼포먼스, 신성아/사운드디자인 (2008)
  • Sonic Emergence Vol 2. Public_Void_Destroy by Computer Improvisation 신성아 & Guitar Improvisation 김민석 15 min for computer improvisation (2008)
  • 빈커가 없으면 나는 너무 외로워 연출 윤한솔 그린피그 공동창작, 사운드 디자인 신성아 for theatre and audio experiences (2008)
  • 나, 여기있어! 연출 박장렬, 연극집단 반, 사운드 디자인 신성아 70 min for theatre (2008)
  • 꿈속을 거닐다 몽유록 Ver. 2, 제작 무브먼트 당당, 연출 김민정, 사운드/음악 신성아 (2008) 70 min for dance, theatre, and music
  • Sonic Emergence for computer and guitar improvisation (2008) 15 min
  • 꿈속을 거닐다 몽유록, 제작 무브먼트 당당, 연출 김민정, 작곡/컴퓨터 임프로비제이션 신성아 (2007) 70 min for dance, theatre, and music (2007)
  • spring_flowing for audio-visual work (2007) 9 min for experimental film and sound
  • 오디오 씨어터 프로젝트; 무게없는 부피, 원작 정영문, 연출/사운드 디자인 신성아 (2007) 53 min / for audio theatre (2007)
  • The Thin Black Line 사운드 신성아, 댄스 이윤정, 실험영상 장은주, 13min b/w for experimental film, dance, and sound (2007)
  • 라디오 쇼 제작 - 내가 모르는 이야기를 해봐 (2007) 10분 / for Radio Show
  • 잠 못 이루는 밤에 Hunting Cockroaches (2007) by Janusz Glowacki ca. 120 min / for Theatre Production.(폴란드대사관 후원작) 2007
  • The Shower (실험영상/사진/실시간제어 음악/퍼포먼스, 2007) ca. 25 min / for 퍼포먼스 흑표범. 영상 조득수, 라이브 사운드 신성아, 여운진, 의상 김영민, 사진 오석근, 페인팅 두더지, 조명 유은경
  • Su Azucar at Queer 디아스포라적 기행 (실험영상/실시간제어 음악, 2007) ca. 20 min / for 영상 태준 하야시, 보컬 퍼포먼스 남상아, 실시간제어 사운드 신성아
  • 천추의 한 (2007) ca. 120 min 김민정 연출 / for Dance Production, 2007
  • The Wdowy (2006) by Mrozek Slawomir, ca. 70 min / for Theatre Production.(폴란드대사관 후원작)
  • Ars Moriendi ImprovRemix 2006 (2006), 정연수 안무 ca. 13 min / for Dance Production (춘천아트페스티벌 위촉작)
  • The Pillowman (2006) by Martin McDonagh ca. 25 min / for Theatre Production
  • 형편없어지기 (2006) 김민정 안무 ca. 20 min / for Dance Production
  • Request Concert (2005) by Franz Xaver Kroetz. ca. 60 min / for Theatre Production.
  • 바비 & 죠 (2005), ca. 60 min / for Theatre Production.
  • 즐거운 인생 (2005) ca. 60 min / for Theatre Production.
  • 싱싱냉장고 (2005) ca. 60 min / for Theatre Production.
  • 뮈토스 3부작: 전쟁, 누구의 잘못인가, 1부 트로이원정 2부 아가멤논의 귀향 3부 신들의 선택(2005) ca. 180 min / for Theatre Production.
  • Leonce and Lena (2004) by George Buchner, ca. 60 min / for Theatre Production.
  • Flower in the Land (2004) ca. 60 min / for Dance Production. Composition/Sound Design/Piano
  • Travesties (2004) by Tom Stoppard. ca. 160 min / for Theatre Production. Composition/Sound Design
  • Untitled (2002) / for super 8 short film, directed by Donald Thalhuber
  • Bang Bang You’re Dead by William Mastrosimone (2002) / for Theater Production.
  • Morning Star by Sylvia Regan (2001) / for Theatre Production.
  • Variation of A Proposal by Matt Bukovac (2001) / for Theatre Production.
  • A Mans Relationship with His Telephone by Matt Bukovac (2001) / for Theatre Production.
  • Midsummer Nights Dream by William Shakespeare (2000) / for Theatre Production.
  • Ecstasy by Mike Leigh (2000) / for Theatre Production.
  • Ghost of a Chance (2000) / for 16 mm sci-fi film.
  • The Sea by Edward Bond (2000) / for Theatre Production.
  • La Ronde by Arthur Schnitzler (1999) / for Theatre Production.
  • Telephone (1998) / for 16 mm film, directed by Ki-Ho Hah.

ACOUSTIC INSTRUMENT & LIVE ELECTRONICS

  • Emergence for three-movements live electronics & percussion / for Solo Percussion and Live Electronics, ca 16 (Commissioned by iEAR studio, RPI)
  • Regress in Infinity no. 4 (2001) / for Solo Percussion and Live Electronics, ca. 9:00 (Commissioned by Percussionist John Hadfield)
  • Communications (1996-97) / for Zeta Violin, Acoustic Violin and Live Electronics, ca. 7:00
  • Regress in Infinity no. 2 (1995) / for Trombone and Live Electronics, ca. 8:00
  • Regress in Infinity no. 1 (1995. rev.1996) / for Bb Clarinet and Live Electronics, ca. 11:00

COMPUTER GENERATED MUSIC

  • Sarah-Benton (2006) for audio-visual work, ca. 8:27
  • Lear (2004) for audio-visual work, ca. 8:00
  • Sarah 90 (1999/2000) for computer generated music, ca. 8:27
  • Red Spot no. 2 (1998) for computer generated music, ca. 7:00
  • Red Spot no. 1 (1997) for computer generated music, ca. 9:00

SOLO ACOUSTIC PIECES

  • addition=subtraction (2000/2002) for Solo Piano
  • Regress in Infinity no. 3 (1999) for Solo Violin, ca. 6:00
  • Glory Box (1999) for Solo Pipa, ca. 8:00
  • Sonata no.1 (1991) for Solo Piano
  • Suite: The Moon Story (1991) for Solo Piano
  • Variations (1990) for Solo Piano

MID & LARGE ENSEMBLE ACOUSTIC PIECES

  • WINDTREE: Hymn for the West (2003) for Orchestra
  • String Quarter no. 2 (work-in-progress) for String Quartet
  • Essay II (1999/2003) for Orchestra
  • My Fate is in Your Hands (1999/2002) for Woodwind Quintet, no. 2
  • Hymn to the Night (19989) for Flute, Cello, Piano, Percussion, and Electronics, ca. 9:00
  • Short Essay I (1994) for Orchestra, ca. 7:00
  • Insecurity (1994) for String Trio, ca. 8:00
  • Blow Into Bloom (1993) for Soprano, Flute, Clarinet, Cello and Percussion
  • Underground Man (1993, poem by Jung-il Chang) for Soprano, Alto, Tenor, Bass and Piano
  • Woodwind Quintet No. 1 (1992) for Flute, Oboe, Clarinet, Horn and Bassoon
  • String Quartet no. 1 (1992) for Violins, Viola and Cello
  • River (1990, poem by Sung-woo Yang) for Alto soprano and Piano